Student days and Tino Ujević's first drunkenness.

Despite his parents' desire to become a priest, Tin enrolled in the Croatian language and literature, classical philology and aesthetics at the Faculty of Philosophy in Zagreb. At the beginning of his studies, he started writing poetry. His first published poem was the sonnet "Za novim vidicima" in the magazine "Mlada Hrvatska", in which he continues to publish his works.

He lived at many addresses in Zagreb - in small apartments, in sheds and in attics. He lived modestly because he wanted to support himself by writing. He hung out with Matoš, Kovačić and Wiesner. He was happy to talk with Matoš, then a young and innovative poet, in the Bauer cafe, which was located on the corner of Ilica and Frankopanska.

Tin spent his mornings in the library, reading and writing, and spent the afternoons and evenings in cafes. He lived on water and white coffee. During his student days in Zagreb, he did not consume alcohol at all. This is why he remembered his first drunkenness. He got drunk for the first time on Easter in 1910. Then, discussing with Matoš, he drank half a liter of wine, which then gave him a headache. It was just the beginning of what would follow after going to Paris, and then to Belgrade...

First drunkenness

Dino

Tin Ujević was a so-called Yugoslavian Bukowski – a true bohemian, and an artist. A man about whom many myths have been spun. This is not a surprise, as the famous poet was a well-known guest of many Croatian and Serbian bars, during the cities' most vivid nightlife era in the beginning of the 20th Century.

Tin moved to Belgrade straight from Paris, where he started his bohemian lifestyle in the café Rotondo while hanging out with Picasso, Trotsky, and other significant European artists and politicians. After long years of crazy adventures in France, he arrived in the Serbian capital with only a hat, his distinctively torn and worn-out coat, and a bag full of manuscripts.

Being completely broke, immediately upon arrival he visited the famous gathering place of Serbian intellectuals – a cafe in the Hotel Moscow, with the hope that someone will spare him a drink. Luckily, there he met a poet called Rade Drainac, another famous Belgrade bohemian, and sat at his table. A waiter soon approached two praised artists and asked them what they would like to drink. Rade replied to the waiter: – Nothing, thank you! – 

Right after, the waiter popped the same question to Tin, to which his famous reply was: – I’d like the same as Rade. Only with a glass of white wine on the side! – Back then, Tin was already a well-known intellectual in the Kingdom, so Rade couldn’t wait to hear his famous long and poetic monologues. As their quick drink turned into hours of sitting at the bar, distinguished guests of the hotel kept sending drinks to the table of two educated tramps, just so they could amuse them with their dialogue.

When the evening came, they would go to the cafe "Three Hats" in the famous Skadarlija Street. There, drunk and in ecstasy, they frolicked until the morning, or rather, until they bored the waiters and neighbors with their shouting and drunkenness. During their night outs, the police often had to intervene.

The famous Artists of The Bottle, as they were called, were lucky that the administrative division of the city worked in their favor. Briefly, Skadarlija Street was divided into two city districts - Palila and Dorćula, so each side of the bohemian street had different police surveillance. This allowed boozers to initially vandalize a bar on the one side of the street and then, without the fear of arrest, cross over to the other side and continue their debauchery there. The police in the first bar carried out an investigation but they had no authority to intervene on the other side of the street

When the police managed to catch them, Tin would sometimes get beaten, and sometimes they would just take him to the station. 

In the police station, officers would cut Tin's hair and shave his beard, since he never did that himself. During his stay in Belgrade, over time it became a routine for the police to detain him every three months without him doing any offenses, just so he could wash, cut and shave. Because of similar benefits, he became friends with Belgrade police chief Ljubiša Lazarevic. Two men befriended through a convenience they both had insomnia. Tin would keep him company during his long nights and Ljubiša would kindly share his always full stock of cigarettes.

When he wasn’t drinking, partying, or, in those rare moments, writing, the poet would sleep on park benches, usually in Kalemegdan Park. On one such occasion, local policeman approached Tin to wake him up. The policeman thought that he was just a regular tramp.  

As soon as he realized that he had woken up a respectable writer, the policeman started apologizing. – You don’t have to apologize. – Tin mumbled, with his eyes still half-closed.

– Although, I would consider you more polite if you had first woken up the neighbor from the ground floor. – he added, while pointing his hand to the poet Rade Drainac, who was sleeping under the bench.

The Last Bohemian

 A little poet in a girl's and a monk's dress.

The most famous Croatian poet and bohemian Tin Ujević was born in a Turkish tower in Vrgorac. The tower was a temporary monument to the Turkish conquests and was dilapidated and uncomfortable. A poor village teacher, his father Ivan Ujević, was forced to build his hearth there. His place of birth, like most of his future lodgings, was so dilapidated that in the autumn his father riveted the windows with boards to protect his home from the strong Dalmatian wind.

Tin was an unusual child. In his autobiography, he wrote that as a little boy he liked to dress in women's dresses because he felt more comfortable in them. He learned to read and write before starting school, where his father was the teacher. Tin described his father as a patriarchal man who, of all his teachers, beat him the most and was the strictest towards him. He was an extremely lively child. He climbed trees, walls, fell into pits, once even into a well. He later claimed that his skull had changed shape from all those falls.

Due to the force of circumstances, the family moved to Imotski and not long after to Makarska. There, Tin continued to attend school as a lonely and withdrawn child. However, the locals still remember the incident in which this calm and self-effacing boy got into a fight in front of the Kačić monument. The fight broke out for unknown reasons, and thin and long Tin was the winner.

After graduating from public school, Augustin entered the Split high school. After the entrance exam, he enrolled straight into the second grade. He went to the city under Marjan alone when he was only twelve years old. He lived with a friar and was extremely poor. Poverty was the leitmotif of his whole life. As a high school student, he didn't have his own books, so he borrowed them before class in order to learn in a short time what he needed to learn at home. He started writing more significant poems as a thirteen-year-old boy, but none of them have been preserved. He was an excellent student, and he loved mathematics very much. He was dissatisfied that the classical gymnasium he attended could not provide him with better knowledge in that subject. However, the course of his life was directed by his love for reading. As a high school student, he read everything he could get his hands on.

Although he lived in a seminary, he was an anti-clerical and, together with his colleagues, hatched conspiracies against the friars and wrote novels. In the seventh grade, the priests discovered the negatively intoned letters that the young men were exchanging and punished them with a harsh rebuke. His high school classmates remember him as quarrelsome and withdrawn, but also as a real little encyclopedia. Namely, Tin remembered everything - names, years, even poems that he would only read once. He finished high school as a native of Starčević and was intrigued by politics, like all young men of that time, and thought about enrolling in law. His parents wanted him to be a priest. Ujević did not respect their wish. Interested in getting to know himself and the world more deeply, he enrolled in the study of Croatian language and literature, classical philology and aesthetics at the Faculty of Philosophy in Zagreb. With the beginning of his studies, he started writing poetry again. His first published poem was the sonnet Za novi vidicima in the magazine Mlada Hrvatska, in which he continues to publish his works later.

About dresses

The most famous (and funniest) Croatian polemic in art.

Since his arrival in Zagreb, Ujević has been hanging out with Matoš every day. Their fortress was the Bauer cafe, which was located on the corner of Ilica and Frankopanska. However, their friendship did not last long. Rebellious and averse to authority, Tin felt that Matoš had a patronizing attitude towards him. Matoš, although a frequent guest of the cafe, was already an established poet, unlike Tino, who was still waiting for his fame. However, this was not the cause of the breakup of a great friendship. It is more likely that the breakup of the relationship was decided by a difference in political opinion.

Ujević, like Matoš, was an ardent rightist since his high school days. However, during his studies, disappointed with Starčevićism, he turned to Yugoslav unitarism. Not long after arriving in Zagreb to study, he published a text in which he criticized the patriot August Harambašić, calling him a rhetorician instead of a great poet. Nationalist-oriented Matoš understood this as betrayal. That's when the famous lines appear in which Matoš complains about a certain "plagiarist", writing that "instead of students I got monkeys". Thus began the most entertaining polemic between two Croatian writers published in various magazines for many years.

Tin soon retaliated in kind, writing about Matoš as a "dying Caesar". He says of him that he is "a coward who dares to object only to young poets, while he writes about older ones under a pseudonym", "a crow adorned with the feathers of all birds", "the great master of all literary burglars and pickpockets with the comical gestures of a polemical emperor" and much more...

Matoš, of course, retaliates by writing that he, Huljević, and not Ujević, is actually a fakin literary parasite. The polemic continued until the two bored themselves and the entire literary world. Until the end of his life, Ujević tried to distance himself from Matoš, proving that he was never under his literary influence.

Matoš, on the other hand, was conciliatory and, knowing that the latter had eternally empty pockets, even offered to pay for "tours" in the Kazališna kavana cafe, where the latter moved with his new circle of followers. But Ujević had an exceptionally good memory when it suited him. He was determined in Ujević was stubborn in his rejection of Matoš, but he mentioned him in many of his works, mostly negatively. Ujević's obsession with Rabbi, as he called his teacher Matoš in better days, lasted his whole life.

Matoš vs. Ujevic

According to the story, they used to break into cafes with white flowers on their suits and clubs on their shoulders...


From his high school days, the great Croatian poet Tin Ujević was an ardent rightist. Later, after breaking up with Matoš and being exiled to Paris, he turned to Yugoslav unitarism. Kovačić, Mitrinović and he founded the secret association OM. According to the story, they used to break into cafes with white flowers on their suits and clubs on their shoulders...

In cafes, they would frighten and seduce guests by saying some kind of sentences that would always end with OM. The reason and meaning of this engagement was never revealed, and they were soon politically persecuted. Ujević, exiled for many months from Croatia, goes to Belgrade. At that time, he was extremely politically active, while his literary work stagnated.

He arrived in Belgrade alone, and a Dalmatian lent him money for the ticket. There he gave important political speeches about the unification of Serbia and Croatia. In 1913, he founded the newspaper "Uježdinje" in which he spread his ideas about Serbian-Croatian unification. At that time, he lived on a scholarship from the Serbian government, which amounted to one hundred dinars.

It was said that, two years before the assassination of the Austro-Hungarian heir to the throne Franz Ferdinand, Gavrilo Princip, then still a high school student, met with Ujević and Kovačić in the Belgrade Hotel Moskva. However, Princip denied this at the trial.

Ujević goes to Zagreb again, where he is arrested and where he admits his involvement in political events. He was exiled from the Kingdom of Croatia and Slavonia and went to Split. He continues his political activities there. He was arrested again when crossing the border illegally - he wanted to go to Zagreb with someone else's documents. By going to prison, he becomes a political star in Dalmatia, and his like-minded people try to portray him as a martyr. After his release, he was arrested and imprisoned several more times until he finally went to Paris.

(Jasen Boko: Tin Ujević – biography: thirty years of travel, 2017)

What's a club for a poet?

The poet's experience in the Foreign Legion.

Tin Ujević, a great Croatian poet and famous bohemian, enlisted in the Foreign Legion just before the start of the First World War. At that time, he was extremely politically active, while his literary work stagnated. Living in Paris at the time, he wanted to be sent to the Balkans and take part in the historical events that would soon take place there. He was traveling on a ship which, as promised to the legionnaires, was to be anchored somewhere in Dalmatia, after which an uprising would be launched.

Ujević traveled to Boka Kotorska at the end of the war. There, the ship was hit by a rocket, during which the poet suffered a minor concussion. Due to an injury, Ujević ended up in Avignon instead of Dalmatia, from where he left for Paris a few months later. He continues his political activities there.

In the Foreign Legion

Coming to Paris, young Ujević was fascinated by the City of Light. He spent his days in the national library, he listened to lectures at the Sorbonne, and at night he went to "Rotondo", a cafe frequented by many artists, poets, and journalists. Jean Cocteau, Ilija Erenburg, Modigliani, Picasso, Trotsky, D'Annunzio also used to go there... That cafe was a world-famous gathering place for bohemians. American tourists came there to see "artists in rags" who, in exchange for a drink, would write verses and paint.

In the first months, Tin had no money because his so-called scholarship was overdue. Later, he wrote that the following was on the menu: All months – milk and bread, sometimes chocolate, and often air. He concluded that it is not a joy to live without means in Paris. He supported himself from the scholarship, but also by writing for the Dalmatian newspaper Sloboda. Some of the songs he dedicated, according to some interpretations, to famous actresses who, drunk on narcotics, kept the artists gathered in the Rotondo company.

After the episode with a short-term departure to the Foreign Legion, Ujević returns to Paris. A war is coming, which is welcomed by the hungry. He makes a living by digging ditches and selling newspapers, and at night he plays chess with Trotsky, arranging glasses of absinthe. Later, again for political purposes, he travels to London, and very little is known about his tasks there. Returning to Paris, he closely follows the development of the war. In the winter of 1916, driven by hunger and loneliness, he writes his most important work "Everyday Lament". Then, disappointed, he also leaves his political activities...

Parisian nights

How Tin saw his greatest inspiration, the woman who made him lose faith in love and who sent him into madness...

During the First World War, the great poet and recognizable bohemian Tin Ujević stayed in Paris. There he wrote political articles that propagated the idea of ​​Serbian-Croatian unification. During his stay in Paris, he often visited the Serbian embassy. There he saw his greatest inspiration, a woman for whom he completely abandoned the idea of ​​romantic love in the later years of his life.

In Paris, he met Lucille, the stepdaughter of Serbian ambassador Milenko Vesnić. The stepfather fondly called this charismatic girl Lepa. It is not known what developed between the two young people, but it is known that Lucille considered the poet a witty and charming man whom she enjoyed meeting. But the story did not end happily for Ujević, because Lepa married a prominent Romanian banker four years later. Only the collections of love poetry "Lelek sebra" and "Kolajna", which he wrote during his last years in Paris, which he spent in deep depression, could honestly testify to their love. These are the collections that were published ten years later when he was already living in Belgrade. And whether they are really talking about the unfulfilled love of Tino and Lucille, let their readers judge. Nevertheless, letters from that period testify that the great poet in those years, perhaps because of unfulfilled love, was extremely mentally distracted - he was obsessed with conspiracy theories and the thought that he was being persecuted.

Under intense psychological pressure, he loses funding from the Yugoslav Committee, which declares him insane and unfit to write articles. Then, disappointed with the Yugoslavs, he joined the society that gathered in the "Rotondo" and propagated ideas about the annexation of Croatian territory to Italy. He writes a letter to Benito Mussolini, then editor of the Milanese magazine "Il Papolo d'Italia", in which he states that the aspirations of the Italian people towards Dalmatia are just. Enthusiastic Mussolini praises Ujević, calling him "Uljević". At that time, Ujević was abandoned by all former Yugoslav collaborators and unsuccessfully tried to commit suicide several times. He finds solace only in writing poetry. Disappointed in himself and the whole world, he changes his name to Tin and returns to Yugoslavia.

The mysterious Lucille and letters to Mussolini

Arriving in Belgrade, he went straight to the cafe "Moskva"...

Ujević earned his bohemian status precisely in Belgrade. According to testimonies at the time, he was more often drunk than sober. There he completely discarded all his former civil manners. Before, a promising young man, sharp and persistent in political action, grew into a genius artist. But that artist survived exclusively on other people's charity.

Arriving in Belgrade, he went straight to the cafe "Moskva". The place where, as a young man, he gave fiery political speeches and gathered like-minded people eager to create Yugoslavia. He met Rade Drainac, a young Serbian poet, in a cafe and asked him if he could sit at his table. Drainc was delighted because he had already heard of the poetic genius. After sitting down, Tin began one of his legendary monologues that could go on for hours, during which, of course, it was up to the listener to buy a drink. After drinking well, he went to the famous cafe Triglav. Prominent politicians dined there. According to the story, he met a former political associate of Matošić there. The latter ordered lunch, and Tin asked: - What about me? - He said that he had no money and that he also needed an apartment. Matošić ensured that he would eat in the cafe for the whole month and placed him in the small hall on an old couch.

Over the next ten years, Tin would become known as a coffee house entertainer with words. He spent evenings with the cream of society and those less important in different inns, most often in the "Three Hats". He would talk to them and entertain them, usually in exchange for drinks, lunches, and sometimes some money. At that time, his two poetry collections "Lelek sebra" and "Kolajna" were published. Although he was offered a significant fee for printing, Ujević initially did not want to publish these collections, considering them to be "dirty laundry" that should not be made public. Nevertheless, the collections were published, and Tin then began to assert himself for the first time in Belgrade as a significant poet, and not as an unaccountable bohemian as he appeared to the world at first.

First day in Belgrade

Although at first he seemed insane, the famous bohemian Tin Ujević, disillusioned with politics and love, actually did all the wrong things in order to mislead his fellow citizens and provoke the on-duty gossipers and small-towners.

On one occasion, he was thrown out of the Serbian cafe. According to the story, Tin, provoked by questions about his own poor hygiene, suddenly started scratching his ears. He arranged nine ears on the table and let them "run". He said he wanted to determine which one was the fastest. But according to Jasen Boka, the ears behaved unsportsmanlike and, instead of proving themselves in this athletic discipline, to the general disgust and fear of the guests, they scattered around the cafe.

A few days later, he was thrown out of the Moskva cafe because he was scratching his ears at the table again, unburdened by the general outrage of the guests. The owner then forbade him to come. The on-call "alternative scene" reacted immediately and at the request of the literary public, but also fearing that he would not be without the profit that such entertainers brought him, the owner turned the tables and Tin was allowed to stay again.

The race of ears

According to Dragutin Tadijanović, Tin brought a long green dress with him when he moved to his new apartment...

Tin Ujević, a famous Croatian poet and bohemian, according to his own story, loved to wear dresses as a small child. He did it because he felt more comfortable in them. Some sources mention that he had this tendency even in his later years.

Namely, at the end of World War II, Tin lived in Tadijanović's bathroom, which the latter adapted to become the poet's short-term apartment. According to Dragutin Tadijanović, Tin brought a long green dress with him when he moved to his new apartment.

He hung it carefully so that it would not crumple. He kept that dress carefully. His care for that garment was unusual, for the nonchalant poet generally cared very little for his possessions. His coat was always torn, and apart from endless piles of manuscripts, he didn't even have any of his other belongings. It is not known what the poet did with the formal dress.

What will a poet dress for?

I couldn't even publish an interview, no one would believe me. I only have this story...

I open the door of the smoky cafe. The innkeeper greets me nonchalantly from the bar, too busy wiping his glass. I look around and look at the dirty tables of the Blato cafe in Donji. The ambiance perfectly matches the name. It is dark and sultry in the inn. Only a few flashes of lightning illuminate the rows of tables and chairs. My eyes fall on the only guest located in a remote corner. It takes my breath away. It's not possible..
"It's really here," I whispered in a low voice.
            A dark figure sits bent over at a dilapidated table in the corner. A middle-aged man with a dirty hat on his head, in a long, torn coat. I've heard too many anecdotes about him not to recognize him now. There is an empty jug on the table in front of him, and a little wine in the glass. The moment I approached him, he was putting out a cigarette in an ashtray full to the brim.
            His eyes are blurry. He stares fixedly at the almost empty glass. Without asking permission, I take off my wet hat and sit opposite him. He doesn't notice me, he's in his thoughts. I nervously tap my fingers on the table. Throwing my head back slightly, I look for the innkeeper and raise my hand in the air. He approached with a slow step.
- The same can be done, but for both of us - I tell him. He winked and left. It's a strange time to be in a pub. Unusually empty. Quietly. As soon as I ordered, a scruffy figure looked up at me. She took a good look at me.
At last she spoke.
"It's about time," he said shortly. - And the few students, supposed writers, sit at home. And those drunken ghosts that keep bothering me: he sings this song, he talks about this, that. And they are somewhere else. - he said.
I look nervously at the table and at that half-empty glass. The sound of rain breaks through the dark silence of the inn. My coat is wet, but it's too cold to undress. I sit and endure the unpleasant humidity. I realize that now it's my turn to speak. I finally look up and force myself to say, stammering a bit: - You know, I was sent here. I was assigned to write something about you. They are looking for a biography.
Tin reached for the box, took out a rolled cigar and lit it. He leaned on the table and looked at me reproachfully. - And what are you, a journalist? - he asked me accusingly. I dozed off. I could not tell him the true nature of my work. It would be too farcical.
 - You could call it that - I said with a deep sigh. Seeing my reluctance, he seemed to cheer up.
- I didn't know that the yellow press was also interested in me. - he said shortly. There was no more reproach in that statement. He seemed to be greatly amused by all this.
Noticing that I had pleased him a little, I continued: - I'm not in these circles. My colleagues tell me that you are a great poet. They also say that you are a bohemian, a vagabond. But genius. They also say that you don't have much left. I mean time. And you see, I really need a good story. That press of ours has not been selling well in recent days. –
My honesty seemed to satisfy him. The rain was falling harder and harder, and he, through the cigarette smoke, still decided to share some of his thoughts.
- Today it is unfashionable to be a writer. So what can I do, I'm a bohemian. I learned it from Matoš. I saw his "tavern chat" go by. –
- You could have been known as a distinguished writer - I spoke, realizing that I had just interrupted the one who will be known as the greatest Croatian poet.
- Well, there were wars, politics. Her too much. But you have great talent, that's what everyone says. - I continued.
- Talent... talent... - he seemed to hum. Mocking, of course.
- I tried to be a politician, a revolutionary, better to say. I blamed them for that. I was also a translator, they even called me a writer, and they didn't care that I was more hungry than full. It didn't matter to me. I wanted to be to the point. Finally, perhaps out of hunger, material or spiritual, I decided to be completely formal - he said, leaning on the table with his hands and lighting a new cigar.
– I stay here in this cold pit in my worn coat and order a bottle of wine here and there. All these bullies look at me like God. And students too. I sit with my audience. They come to me by themselves. If I were part of the academy, I would be boring to them - he explains resignedly to his fate as the sound of the rain becomes softer.
The innkeeper put down a jug full of yellow liquid between us. He put a glass in front of me. A sweet, intoxicating smell reached my nostrils.
 - Like this, half-drunk in the dark of the tavern, they get carried away by what I tell them. In the morning, it escapes their minds. They remember my coat and hat. And a jug of wine. And whether it was black or white. And that I, as the only one still standing, brought them out of this hell. They don't remember that. - he said enthusiastically.
- And the prizes? –
- What about them? –
- Well, you are a great poet, I guess you should have deserved some awards. Name some, that goes to my title. – hoping for interesting information, I encouraged him to talk.
- I repeat, it's all form for me. I was disappointed by the weather, I was disappointed by all the supposed cosmopolitans. Cosmopolitans with a glass of plum wine. Both rightists and unitarians. It's all form. I refuse to say more about it. - he said firmly, and his good mood began to change. I realized that I wouldn't have anything for a title, so I hastily and somewhat carelessly started digging into the life of my interlocutor.
- You also joined the Foreign Legion, I heard. That's interesting. - I said awkwardly.
He just looked at me.
- You lived in Paris for a long time. You loved Parisian pubs. Many famous people used to go there... - I tried to encourage the now reluctant interlocutor to cooperate. I leaned over, received a full goblet and served it. He just casually looked at the full glass.
- I do not remember. I must have forgotten everything from hunger. - he gritted his teeth.
– Gavrilo Princip. Rumor has it that you met him. What's more, it is rumored that you participated... - I questioned further, almost provoking. The old man looked at me motionless with an insolent look. He didn't even open his mouth to say anything.
- And Lucille? –
- What about her? –
- Did you dedicate "Lelek sebre" and "Kolajna" to her? Rumor has it that it was an unhappy but great love... - already desperate for a story, I tried to grab onto the most painful thing I knew from the poet's biography. Then, the cloudiness of my interlocutor's eyes thinned a little. The impudence in them was replaced by some vague sadness.
- Well OK. - he finally spoke. Quietly, almost sadly, he asked: - Why did you come to me? –
A vague chill went through me. I was absorbed. Its source was neither my wet coat nor the November evening of the same month. Even though I was still a young "journalist", I felt that it was wrong when they start asking you questions.
- Well, you are the name - I answered shortly.
The motionless and rough face of the still seemingly vital and sober sixty-four-year-old man seemed to have broken. The eyes completely opened and a small ray of light appeared in their wetness, the forehead full of wrinkles frowned. He turned his head to the side. Not realizing what I had done wrong in my first real interview, seemingly complimentary and hoping to please my interlocutor, I continued.
"Everyone knows about you," I said. - When I asked about you, they sent me straight to this bar. They told me: you will find him there with a glass of wine. And so it was. I came because our readers want to know more about you. – I explained, thinking that drawing the poet's attention to the fact that he is highly valued will help me find material for my story more easily.
- I understand. he said. He did not continue. He was silent for a long time. The sad poet sat before me as silent as a tombstone. I slowly sipped my white wine and looked at him every few moments, hoping he would break the painful silence. He sat alone with his thoughts.
About twenty, then forty minutes passed. The rain could no longer be heard. The darkness of the inn slowly dissipated. The colors were changing, and the faint light of the predawn began to reveal the outlines of things in the room. An hour has passed since the poet last spoke. I realized it was over. The story eluded me like the night before the morning. I decided to give it one last try.
- They just want to meet you. I said. It was as if I had come to the right place. The poet looked at me significantly.
- Me too. - He said.
- I pray? - I asked confused.
- I also want to meet - he added, getting up from the table.
- So what will I give my readers? - I shouted in despair.
- Songs. – answered Tin shortly, smiling. He took off his hat as a gesture of greeting.
- Everything I was sent to say, I said in them. - he added. He reached for his umbrella, which was hanging somewhere by the table.
            Seeing that he didn't even touch the glass I poured for him, I said to him - Come on Augustine, at least make a toast with me. –
Thunder broke again in the distance. The sun was already well in through the window. Reds and oranges flowed through the inn, although the atmosphere was such that the storm could soon begin again. Turning to the sounds of thunder, he nervously, putting his hat back on his head, spoke - I apologize for not being of particular use. You have my permission to convey to your readers that I slept in the park, guessed the type of wine blindfolded, or doused my hat with that same wine. That will be enough and I hope you will satisfy them. –
Already a bit tipsy, I tried to get up. My head went blurry and I collapsed on the chair at the same time.
- Don't worry, I consider it as if you greeted me - he replied.
- And the hook... where are you going this early? - I barely got through my teeth.
- I am currently translating Olof Ekström from Swedish. I haven't dealt with the language since the war, but recently I started learning it again. He has a nice novel, Plesala je eden summer... It talks about youth. I would like to finish at least one chapter today, so whatever... - he said cheerfully. He no longer seemed so sick and gloomy. Or maybe it was from the drink...
            I cannot describe to you how the poet elegantly walked out of the door of the inn because, to be honest, I don't remember. I must have fallen asleep at the table. When I raised my head, the sun was already shining brightly. The inn hummed with the murmur of the world. All the tables were full. My head was as heavy as a barrel and I felt as if it would explode at any moment. I sobered up when I remembered last night's event.
- Story!!! - I moaned painfully. I promised the editor that I would take the biography to the printer early this morning. I would have written it in no time, but I overslept.
- My debut... - I almost cried. Nevertheless, I was consoled by the fact that I had at least met a famous poet. Maybe I'll meet him a few more times, and he'll allow me to ask him some more questions, just out of acquaintance. So I contemplated leaning on the same table where I had drunk that damned wine with him only a few hours before. After regaining my composure, I picked up the newspaper for which it seems I will never write. When I read the news on the front page, I almost fell off my chair. Only then did I find the reason for so much noise in the inn. Half of the crowd was crying, and half was reading some kind of lyric.
- I can't believe it... Impossible! I shouted.
- Really awful - shouted a woman passing by. - To die like that alone, in the night. Abandoned by everyone... - she said with a red face, barely able to breathe from sadness and moaning. Rubbing my eyes, I looked at the paper again. On the front page it was written in large letters: FAMOUS POET DIED LAST NIGHT IN VINOGRAD HOSPITAL!
- IMPOSSIBLE! I shouted. - I drank with him last night, right at this table. Here, his umbrella was hanging there. - I pointed with my hand to the iron hook on the wall. To my surprise, a long, black umbrella was still hanging on it. The lady glared at me. - You drunkard! Go outside! How dare you speak nonsense in such a sad hour! - she shouted.
            Still hungover, I left Blat swinging. The sun was shining, and the city asphalt was dry. There was no sign of last night's storm. In fact, it was unusually warm for the twelfth of November. After passing Gundulićeva, I turned onto Ilica. Confused by the unusual events, I realized that I would never be able to publish a biography. I did not learn anything new about Ujević. I couldn't even publish an interview, no one would believe me. I only have this story...

Interview with the poet

The poet did not receive a single literary award during his lifetime. Today, the most prestigious award for Croatian poetic achievements bears his name...

Coming to Zagreb after the stormy Belgrade years in 1940, Tin Ujević got a job in the trade union newspaper "Pravici". During the time of the NDH, the editorial board moved away from trade union issues and turned to the propaganda of the new regime. Ujević, taught by the hardships he had already experienced due to involvement in politics at the beginning of the 20th century, tried to distance himself from the magazine's politics. But due to the need for money in 1941, he moved to Croatica, a state agency owned by NDH.

The problem arises when the Berlin magazine Collaboration publishes the song "Saffron Knights" without his knowledge. After the establishment of the Second Yugoslavia, this poem will become the main evidence of the poet's cooperation with the Ustasha authorities. The punishment for cooperation was the impossibility of any publication of books and articles, and it was very rigid - it lasted as long as five years. The publication ban meant that Tin had nothing to live on. Hungry and sick, living modestly in Zagreb, he spent his time intensively reading and translating.

In 1951, he was again accepted into the Society of Croatian Writers. During his life in Zagreb, he lived in Selska cesta and spent his days in the Tip-top cafe on the corner of Gundulićeva and Masarykova streets, where he also had his own table where many artists came to him. At that time he was silent and withdrawn, disillusioned with society. He returned to his old regime - he would spend his mornings in the National University Library intensively translating from more than ten world languages, and during the evenings he would hang out with Zagreb's society in cafes. Although known for his bohemian language, Ujević was an incredible translator with a huge body of work. He published 105 renditions of lyrics, and another 271 renditions were published posthumously. 9,500 pages of his translations of literary prose were also published, namely 22 novels and 63 short stories, while it is considered that, with numerous works still in manuscript, about 25 volumes of the size of his current "Collected Works" would be needed to publish all the works which he translated in his sixty-four years of life. The greatest Croatian poet did not receive a single literary award during his lifetime. Today, the most prestigious award for Croatian poetic achievements bears his name.

(Jasen Boko: Tin Ujević – biography: thirty years of travel, 2017;
Nevenka Košutić-Brozović: About Tino Ujević's cover songs and translations in: Croatica, 1980)

First drunkenness

Student days and Tino Ujević's first drunkenness.

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